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Karel Stádník and sacral art
Zajícová, Anna ; Royt, Jan (advisor) ; Oulíková, Petra (referee)
In the thesis "Karel Stádník and Sacred Art" we start by a general rendering of the role, changes and development of sacred art not only in Bohemia. This introduction creates an overall context for the following description of the personality and work of the academic sculptor, restorer and permanent deacon Karel Stádník. As the author remains largely unnoticed in art history research and publications, in the thesis we provide new facts revealed during interviews with the artist's family. Thus - inter alia - we were able to extend the chapter dedicated to the artist's life and to elaborate the list of sacred works of the author. Close attention is paid to the general development and characteristic features of the author's work focusing mainly on the most important projects implemented in churches, including examples of conservation work. The next parts of the text are dedicated to selected artists with a major impact on Czech sacred art. These include architect Jan Sokol, painter Mikuláš Medek and all-round artist Ludvík Kolek. For each artist, details are provided regarding their life, personality and artistic development - again focusing mainly on the most important works for churches. The individual chapters result in comparing their sacred art with work of Karel Stádník, searching for...
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Situation of the Surrealist Subject
Svěrák, Šimon ; Zuska, Vlastimil (advisor) ; Dadejík, Ondřej (referee)
Univerzita Karlova v Praze Filosofická fakulta katedra estetiky Diploma thesis Šimon Svěrák Situation of the Surrealist Subject (abstract) 2012 thesis supervisor: prof. PhDr. Vlastimil Zuska, CSc. Abstract This thesis focuses on the situation of a substantial subject in the historical development of the surrealist experience and confronts it with our original postmodern interpretation of thoughts of early Marx. The surrealist consciousness is based on a dialectical opposition between rational and irrational elements of cognitive processes. André Breton apprehends this dialectics under the perspective of love life and relates it to values of love, freedom and poetry. Nevertheless, this conception changes in the immanent development of the surrealist consciousness from Breton over the work and thoughts Salvador Dalí and Mikuláš Medek to Vratislav Effenberger. Effenberger removes positive values from surrealism and puts emphasis on the critical functions of the irrational. On the psychological field, all these ideas are based on the conception of the unconscious which means there is the substantial approach in them. Our critical interpretation of Marx shows, that the surrealist concept of subject is in the contradiction with its substantial determination. The subject has to be perceived as the essential...
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Situation of the Surrealist Subject
Svěrák, Šimon ; Zuska, Vlastimil (advisor) ; Dadejík, Ondřej (referee)
Univerzita Karlova v Praze Filosofická fakulta katedra estetiky Diploma thesis Šimon Svěrák Situation of the Surrealist Subject (abstract) 2012 thesis supervisor: prof. PhDr. Vlastimil Zuska, CSc. Abstract This thesis focuses on the situation of a substantial subject in the historical development of the surrealist experience and confronts it with our original postmodern interpretation of thoughts of early Marx. The surrealist consciousness is based on a dialectical opposition between rational and irrational elements of cognitive processes. André Breton apprehends this dialectics under the perspective of love life and relates it to values of love, freedom and poetry. Nevertheless, this conception changes in the immanent development of the surrealist consciousness from Breton over the work and thoughts Salvador Dalí and Mikuláš Medek to Vratislav Effenberger. Effenberger removes positive values from surrealism and puts emphasis on the critical functions of the irrational. On the psychological field, all these ideas are based on the conception of the unconscious which means there is the substantial approach in them. Our critical interpretation of Marx shows, that the surrealist concept of subject is in the contradiction with its substantial determination. The subject has to be perceived as the essential...
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Karel Stádník and sacral art
Zajícová, Anna ; Royt, Jan (advisor) ; Oulíková, Petra (referee)
In the thesis "Karel Stádník and Sacred Art" we start by a general rendering of the role, changes and development of sacred art not only in Bohemia. This introduction creates an overall context for the following description of the personality and work of the academic sculptor, restorer and permanent deacon Karel Stádník. As the author remains largely unnoticed in art history research and publications, in the thesis we provide new facts revealed during interviews with the artist's family. Thus - inter alia - we were able to extend the chapter dedicated to the artist's life and to elaborate the list of sacred works of the author. Close attention is paid to the general development and characteristic features of the author's work focusing mainly on the most important projects implemented in churches, including examples of conservation work. The next parts of the text are dedicated to selected artists with a major impact on Czech sacred art. These include architect Jan Sokol, painter Mikuláš Medek and all-round artist Ludvík Kolek. For each artist, details are provided regarding their life, personality and artistic development - again focusing mainly on the most important works for churches. The individual chapters result in comparing their sacred art with work of Karel Stádník, searching for...
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